Leap
Leap
If you were 18 or 20 years-old and living in the mid eighties in New York and if you were in my skin and in my shoes and in my heart you were a club kid when clubs were kings and queens of New York and you were in one called The Fun House this one night and you were with your bud, Adolfo, same age, and each of you were sweat-dancing frenetically with a gal each from Ozone Park who each spoke to the two of you as if we were one by saying "youz guys" this and "youz guys" that and you all four sat in some stairs in the club and one of the gals with green blue eyes the size of stars slipped you a cigarette after she took a deep whiff from it which was unusual but who is you to question a gal in whose pants you want to get into that night and so you too took a big whiff of it yourself and it tasted sweet and it reminded you of cinnamon and half an hour later Adolfo and you were still sitting there on the same spot and the gals were gone and he is laughing out loud and telling you you just moved the foot of this big black guy with your hands and that the big dude was looking at you like you had two heads but got up and walked away and then next thing we know is we are walking really slow on 8th Avenue or no wait 10th Avenue and it is dawn and you plastered your back to a wall because you are seeing this gigantic hole at your feet all the way down to some center of the earth as if you were on the very edge of such precipice but for half a foot of ground at the wall and as soon as you relay what you are seeing sure enough your pal Adolfo starts seeing it too (or was it vice-versa?) and you have no idea how you both managed to peel yourselves off that wall when the sun was already hitting your faces with the hardness of late July in New York and you both jumped into a yellow cab and decided to spend the day at your place because your mom is traveling and all you two could do that day was to lie on the carpet in the living room and stare at the ceiling and somewhere in the afternoon you both start to come out of it somehow without food or any need for water all day and Adolfo turns half-laughing and tells you with a heavy Colombian accent, "Youz guys, that was was Angel's Dust." And you both laugh because that is what you do when you are that young.
And if you were still in my skin almost a year later to that date you opened your bedroom closet and this bolt of micro-second flashback explodes into your eyes like a flash of lighting and into your head so you once again felt that entire one-day-trip so highly compressed in the span of a microsecond in your head you almost fell but for both your hands clutching the doorknob as any man clings to driftwood out in the middle of the ocean.
And this photograph of this guy about to walk down a flight of stairs my camera did not register in this picture reminded you of my younger self that day and that rabbit hole to the almost center of the earth. You see it, right? And there is unlimited freedom to anything you feel in life when you are 18 or 20 years old and you are waiting for that girl in a corner in Queens one evening many days later.
Her name was Donna, the girl with the blue-green or green-blue eyes who hung that number on you and Adolfo, yes you, that night, only to float away into the ether with her friend.
Click on the LABYRINTHS tab below to explore the artist statement and thematic insights behind the series.
PRINT INFO
Title: Leap
Series Title: Labyrinths
Year: 2019
Medium: Photography
Media: Archival Pigment Print
CONTACT
If you have any questions about the Labyrinths series, feel free to reach out!
Email: marco@ma9.co
Tel: +1 347-772-9370 | New York City
Labyrinths
Chronotopical Archaeologies of the Individual In-Situ
Candid photography portraits of individuals walking across the great hall of Grand Central Station in New York City, 2019.
As a Latin-American living and working in New York since my early teens, my personal histories have been and continue to be wrought by access, and how access is denied or given to locations, to power, to social agency, to identity, to knowledge, to economic class, and even to North-American culture. By documenting individuals passing through Grand Central Station, I am creating a site-specific visual ethnography with which I seek to evaluate agency along the aforementioned terms for this specific location.
The series was inspired by the Kore and Kouros, the free-standing archaic Greek sculpture of female and male figures. As I began to photograph the series, the sculptures kept flashing in my memory, and particularly, the idea that an artist 2500 years ago was transposing a representation of the female and male body onto the stone, and here I was thinking that 2500 years later my photographs were documenting a real woman and a real man with individual names and personal histories. If you suspend belief for a moment, set aside the time in between, and let the Kore and Kourus stand side by side with these portraits, this is what a human being looks like 2500 years later.
Each work in this series is a photograph that has been aleatorily disassembled, re-layered with selections from the same image, and re-colored in post-production. Both camera and lens were calibrated to invoke [art] painting mechanical processes. These efforts were unconscious at first and it dawned on me that I was borrowing visual language from the art [painting] canon. However, the deconstruction and fragmentation of each image are meant to be obvious so as to involve the lay viewer in the conceit that these are constructions despite being primary-source photography documents.
Labyrinths is also guided by metaphysical elements extrapolated from Jorge Luis Borges’ fiction and by a personal interpretation of a motif found in the [gold-based] anthrozoomorphic ritual-art of The Muisca, a pre-Columbian, South-American culture. What I believe Borges' fiction proposes is that human knowledge has a misplaced sense of certainty that makes it paper-thin, thus I consciously sought to render these works with very little depth-of-field structured along a minimalist aesthetic preoccupied with projecting a visually-tactile bi-dimensional space.
Framing
Our framing includes wood with an acid-free mat, archival materials, and clear acrylic with superior UV protection.
We offer framing for prints up to 32 x 40 inches. Each framed artwork includes installation hardware and arrives ready to hang.
For additional or custom framing options on any size, please reach out to us at marco@ma9.co for details.
Visual Rendering On Your Screen
The Sofa Display images and Frame Option previews are digital renderings that provide an approximate visual representation of the artwork and framing. Screen sizes, resolutions, and color settings may vary across devices, affecting the accuracy of scale and color reproduction on your screen. Please refer to the table below for exact print and framing measurements.
Free Shipping
Enjoy free shipping on all orders placed within the continental U.S., Hawaii, and Alaska.
Free shipping is available for framed prints up to 32 x 40 inches. Your framed artwork includes installation hardware and arrives ready to hang.
Free shipping also applies to the PRINT ONLY option on any size, with your artwork shipped securely in a protective tube.
Custom framing is available for any size upon request—please contact me directly for details.
International Shipping
We’re happy to offer international shipping. For details and a personalized quote, please reach out to us at marco@ma9.co. We’d be glad to assist you.
Processing & Shipping Time
For framed orders, please allow 10 to 15 business days for printing, mounting, framing, and preparing your artwork for shipping. After that, UPS or FedEx Ground delivery adds 3 to 7 business days. The total estimated delivery time for framed orders is 13 to 22 business days.
For the PRINT ONLY option, orders ship within 3 to 5 business days. Once shipped, delivery via UPS or FedEx Ground takes an additional 3 to 7 business days. Your estimated delivery time is 7 to 12 business days from order to arrival.
Please Note: Delivery times may be affected during the holiday season. We recommend placing your order early to ensure timely arrival.
Tracking Information
You will receive tracking information once your order is shipped.
Editions
Edition Note
The largest print in a series is offered in a rare edition of 3, plus 1 Artist’s Proof (AP), held in the artist’s archive for legacy purposes and not available for sale.
Certification
Each piece is signed, editioned, titled, and dated on the verso. A certificate of authenticity is included.
Pricing
As editions sell out, prices may increase to reflect their growing rarity, demand, and value.
About Editions
In art collecting, "editions" refer to a limited number of prints produced from a single original artwork. Understanding the distinction between rare and limited editions is crucial for collectors, as it directly impacts the value and rarity of each print.
Rare Editions
Rare editions are the most exclusive, with very few prints available.
Typical Range: In my work, rare editions consist of 3 prints, plus 1 Artist's Proof held in reserved for legacy purposes.
Value: Due to their extreme rarity, these prints are highly sought after and hold significant value for collectors.
Numbering: Each rare edition print is individually numbered and signed by the artist.
Limited Editions
Limited editions refer to a fixed number of prints produced from a single image.
Typical Range: Limited editions in my work range from 9 prints for smaller sizes to a rare edition of 3 for larger sizes.
Value: While more accessible than rare editions, limited editions still offer exclusivity.
Numbering: Each limited edition print is numbered and signed by the artist.
Exclusivity
Once an edition is sold out, no additional prints will be produced, ensuring the lasting value and exclusivity of each artwork.
Return Policy
Custom Orders
Each product is custom-made specifically for you, making it unique and special. Therefore, all orders are final. We do not accept returns, nor offer refunds, exchanges, or credits for custom creations.
Quality Assurance
We use the finest archival materials, and each frame is hand-assembled to ensure exceptional quality. Every print is color-matched to the artist’s original file and fully authenticated.
Damaged or Incorrect Orders: If your order arrives damaged or incorrect, please contact us within 48 hours with photos of the shipping box, the damage, and your order number. We will work with you to resolve the issue, although returns, refunds, exchanges, or credits are not offered.
Handling Damages
While we stand by the quality and craftsmanship of our products, rare instances of transit damage can occur.
Reporting Issues: If your order arrives damaged, please contact us within 48 hours of receiving it. Include clear photos of the damage and packaging.
Resolution Process: We will assess the damage on a case-by-case basis to determine whether repair or replacement is necessary, a process which may take up to 30 business days. Replacements depend on current production and shipping schedules, and you may be responsible for return shipping costs.
Defective Products
If you believe your product is defective (distinct from transit damage), contact us within 48 hours with photos and a description of the defect. We will review and decide whether to repair, replace, or refund the item.
Third-Party Receivers
If artwork is sent to a third-party receiver, such as a warehouse, installer, or framer, please ensure inspection upon arrival. Any damage must be documented immediately with clear photos of both the damage and packaging, as ownership transfers to you once it is checked in.
International Orders
For orders outside the continental United States, Alaska, and Hawaii, please place your order directly by contacting us via email, as we do not process international orders through the website. Buyers are responsible for all shipping, duties, and associated international costs.
Limitation of Liability
Our liability is limited to the purchase price of the product, and we are not responsible for incidental or consequential damages.
Dispute Resolution
Disputes arising from this policy will be resolved according to our Terms of Use.
Posting Policy
Our return policy is clearly posted on our website and at the point of sale to ensure compliance with state-specific laws requiring prominent posting of return policies.
For questions or assistance, including reporting damages or issues, please reach out to us at marco@ma9.co. We are here to help and ensure you have a wonderful experience with our fine art photography.
Return Policy
Each product is custom-made specifically for you, making it unique and special. Therefore, all orders are final. We do not accept returns, nor offer refunds, exchanges, or credits for custom creations.
Quality Assurance
We use the finest archival materials, and each frame is hand-assembled to ensure exceptional quality. Every print is color-matched to the artist’s original file and fully authenticated.
Damaged or Incorrect Orders: If your order arrives damaged or incorrect, please contact us within 48 hours with photos of the shipping box, the damage, and your order number. We will work with you to resolve the issue, although returns, refunds, exchanges, or credits are not offered.
Handling Damages
While we stand by the quality and craftsmanship of our products, rare instances of transit damage can occur.
Reporting Issues: If your order arrives damaged, please contact us within 48 hours of receiving it. Include clear photos of the damage and packaging.
Resolution Process: We will assess the damage on a case-by-case basis to determine whether repair or replacement is necessary, a process which may take up to 30 business days. Replacements depend on current production and shipping schedules, and you may be responsible for return shipping costs.
Defective Products
If you believe your product is defective (distinct from transit damage), contact us within 48 hours with photos and a description of the defect. We will review and decide whether to repair, replace, or refund the item.
Third-Party Receivers
If artwork is sent to a third-party receiver, such as a warehouse, installer, or framer, please ensure inspection upon arrival. Any damage must be documented immediately with clear photos of both the damage and packaging, as ownership transfers to you once it is checked in.
International Orders
For orders outside the continental United States, Alaska, and Hawaii, please place your order directly by contacting us via email, as we do not process international orders through the website. Buyers are responsible for all shipping, duties, and associated international costs.
Limitation of Liability
Our liability is limited to the purchase price of the product, and we are not responsible for incidental or consequential damages.
Dispute Resolution
Disputes arising from this policy will be resolved according to our Terms of Use.
Posting Policy
Our return policy is clearly posted on our website and at the point of sale to ensure compliance with state-specific laws requiring prominent posting of return policies.
For questions or assistance, including reporting damages or issues, please reach out to us at marco@ma9.co. We are here to help and ensure you have a wonderful experience with our fine art photography.