Labyrinths
Chronotopical Archaeologies of the Individual In-Situ
Candid [disassembled] photography portraits of individuals walking across the great hall of Grand Central Station in New York City, 2019.
As a Latin-American living and working in New York since my early teens, my personal histories have been and continue to be wrought by access, and how access is denied or given to locations, to power, to social agency, to identity, to knowledge, to economic class, and even to North-American culture. By documenting individuals passing through Grand Central Station, I am creating a site-specific visual ethnography with which I seek to evaluate agency along the aforementioned terms for this specific location.
The series was inspired by the Kore and Kouros, the free-standing archaic Greek sculpture of female and male figures. As I began to photograph the series, the sculptures kept flashing in my memory, and particularly, the idea that an artist 2500 years ago was transposing a representation of the female and male body onto the stone, and here I was thinking that 2500 years later my photographs were documenting a real woman and a real man with individual names and personal histories. If you suspend belief for a moment, set aside the time in between, and let the Kore and Kourus stand side by side with these portraits, this is what a human being looks like 2500 years later.
Each work in this series is a photograph that has been aleatorily disassembled, re-layered with selections from the same image, and re-colored in post-production. Both camera and lens were calibrated to invoke [art] painting mechanical processes. These efforts were unconscious at first and it dawned on me that I was borrowing visual language from the art [painting] canon. However, the deconstruction and fragmentation of each image are meant to be obvious so as to involve the lay viewer in the conceit that these are constructions despite being primary-source photography documents.
Labyrinths is also guided by metaphysical elements extrapolated from Jorge Luis Borges’ fiction and by a personal interpretation of a motif found in the [gold-based] anthrozoomorphic ritual-art of The Muisca, a pre-Columbian, South-American culture. What I believe Borges' fiction proposes is that human knowledge has a misplaced sense of certainty that makes it paper-thin, thus I consciously sought to render these works with very little depth-of-field structured along a minimalist aesthetic preoccupied with projecting a visually-tactile bi-dimensional space.
Candid [disassembled] photography portraits of individuals walking across the great hall of Grand Central Station in New York City, 2019.
As a Latin-American living and working in New York since my early teens, my personal histories have been and continue to be wrought by access, and how access is denied or given to locations, to power, to social agency, to identity, to knowledge, to economic class, and even to North-American culture. By documenting individuals passing through Grand Central Station, I am creating a site-specific visual ethnography with which I seek to evaluate agency along the aforementioned terms for this specific location.
The series was inspired by the Kore and Kouros, the free-standing archaic Greek sculpture of female and male figures. As I began to photograph the series, the sculptures kept flashing in my memory, and particularly, the idea that an artist 2500 years ago was transposing a representation of the female and male body onto the stone, and here I was thinking that 2500 years later my photographs were documenting a real woman and a real man with individual names and personal histories. If you suspend belief for a moment, set aside the time in between, and let the Kore and Kourus stand side by side with these portraits, this is what a human being looks like 2500 years later.
Each work in this series is a photograph that has been aleatorily disassembled, re-layered with selections from the same image, and re-colored in post-production. Both camera and lens were calibrated to invoke [art] painting mechanical processes. These efforts were unconscious at first and it dawned on me that I was borrowing visual language from the art [painting] canon. However, the deconstruction and fragmentation of each image are meant to be obvious so as to involve the lay viewer in the conceit that these are constructions despite being primary-source photography documents.
Labyrinths is also guided by metaphysical elements extrapolated from Jorge Luis Borges’ fiction and by a personal interpretation of a motif found in the [gold-based] anthrozoomorphic ritual-art of The Muisca, a pre-Columbian, South-American culture. What I believe Borges' fiction proposes is that human knowledge has a misplaced sense of certainty that makes it paper-thin, thus I consciously sought to render these works with very little depth-of-field structured along a minimalist aesthetic preoccupied with projecting a visually-tactile bi-dimensional space.
PRINT INFO
Series Title: Labyrinths
Year: 2019
Medium: Photography
Media: Archival Pigment Print
(Dye Sublimation Aluminum Print available for some sizes upon request)
SIZES AND EDITIONS
Each artwork in the Labyrinths series is offered in two sizes, with rare editions for each.
Size One - Print Only
Image Size: 16 x 20 in - 40.6 x 50.8 cm
Sheet Size: 17 x 22 in - 43.2 x 55.8 cm
Edition of 5
Size Two - Print Only
Image Size: 75 x 60 in - 190.5 x 152.4 cm
Sheet Size: 78 x 63 in -198.1 x 160 cm
Edition of 3 + 1 Artist's Proof
(Artist's Proof is not available for sale)
Explore the tabs under each artwork for details on FREE SHIPPING, EDITIONS, our RETURN POLICY, and precise FRAMING measurements.
CONTACT
For inquiries about the Labyrinths series, you can reach me at:
Email: marco@ma9.co
Tel: +1 347-772-9370 (New York City)
Emergence
From $495
walking woman
From $495
korai
From $495
Leap
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Thought
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The Cell Phone Stairwell
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Waiting
From $495
Parallax
From $495
kouroi
From $495
Walking Man
From $495
Intent
From $495
Knowing
From $495
Paths
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I Am
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Kept My Promise
From $495
Bambina, Madonna E Bambina
From $495
Self
From $495
Saint S
From $495
About memory
From $495
Conduit
From $495
Mirrors
From $495
A Man in Mist
From $495
Chrysalises
From $495
A man at mid afternoon
From $495
Return Policy
Custom Orders
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