Woman
Please Note: This series is still under construction. Stay tuned for updates as I continue to develop and refine this collection. For inquiries or purchasing interests, please contact me directly.
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An ongoing series, Woman started as a depth of field assignment for a Black and White 101 lab photography class at the International Center of Photography in New York City. We were asked to photograph objects at different distances by simply changing the depth of field in the lens and I thought I wanted to photograph a real person instead because I was interested in portraiture and had never done any before this class and this series.
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An ongoing series, Woman started as a depth of field assignment for a Black and White 101 lab photography class at the International Center of Photography in New York City. We were asked to photograph objects at different distances by simply changing the depth of field in the lens and I thought I wanted to photograph a real person instead because I was interested in portraiture and had never done any before this class and this series.
Martha, my mom, was visiting me from South America, and I asked her if I could take her portrait for a class assignment. I figure I had never photographed my mother and I was very excited to do so that day. I had come back to New York from Tucson, Arizona just to take photography classes because I had noticed that as a self-taught photographer I had hit a wall. And I had never worked with black and white film. And I had never taken a single portrait.
So I grabbed three chairs from my apartment and we walked a few steps to the space underneath the Brooklyn Queens Expressway near Lorimer in Bushwick, Brooklyn (New York City). Mom was game. And when I first saw her portrait with the three chairs, I thought of her long life and how she was a maverick for the women in her generation. And I have been privy to the challenges during her life, and how those three chairs in essence spoke to a past, a present, and a future. I tried to imagine who she would be and look like twenty years from that day.
So I grabbed three chairs from my apartment and we walked a few steps to the space underneath the Brooklyn Queens Expressway near Lorimer in Bushwick, Brooklyn (New York City). Mom was game. And when I first saw her portrait with the three chairs, I thought of her long life and how she was a maverick for the women in her generation. And I have been privy to the challenges during her life, and how those three chairs in essence spoke to a past, a present, and a future. I tried to imagine who she would be and look like twenty years from that day.
And I started to imagine I could take portraits of women with three chairs and build my first series. At the time, I was very preoccupied with how women are portrayed in media, and specifically how their image is over-produced and ultra-objectified, and manipulated to look non-human. I was also interested in investigating whether I could minimize or erase my male gaze. More than anything, I was exploring my own biases and was interested in exploring how to avoid the objectified manner in which a woman is portrayed by a man. There are institutionalized structures in the male brain that must be eradicated if we are ever going to imagine fresh perspectives that elevate woman out of their conventional roles and man-controlled agency. Specifically, how can we enact full agency for a woman across all aspects of society that is almost a given for any man?
And so I started thinking of rules that would strip away my power as a visual-thinker. Rules that would address my male gaze as directly as possible by shifting the power to the woman I would photograph. And these are the rules for these portraits. I know they are not perfect. But it is a start to a journey for me. Why I am still working on this series.
A woman is asked to:
- Bring three chairs.
- Select a location of her choosing, if feasible, a location of meaning to her.
- Dress and present herself visually as she pleases. She controls her presentation.
- She decides what to express to the camera.
The rules did not always work, logistics being the main challenge, but I made sure to discuss them at length with each woman. With one exception, all portraits are taken with AS400 black and white film so I could avoid using any light setup and instead use ambient light so as to strip as much photography production from the sessions. I felt the sessions needed to be as raw and as real as possible. No production. No assistants. My silence, my camera, and HER portrait session according to HER agency.
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CONTACT
For inquiries about the Woman series, you can reach me at:
Email: marco@ma9.co
Tel: +1 347-772-9370 (New York City)
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Each product is custom-made specifically for you, making it unique and special. Therefore, all orders are final. We do not accept returns, nor offer refunds, exchanges, or credits for custom creations.
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We use the finest archival materials, and each frame is hand-assembled to ensure exceptional quality. Every print is color-matched to the artist’s original file and fully authenticated.
Damaged or Incorrect Orders: If your order arrives damaged or incorrect, please contact us within 48 hours with photos of the shipping box, the damage, and your order number. We will work with you to resolve the issue, although returns, refunds, exchanges, or credits are not offered.
Handling Damages
While we stand by the quality and craftsmanship of our products, rare instances of transit damage can occur.
Reporting Issues: If your order arrives damaged, please contact us within 48 hours of receiving it. Include clear photos of the damage and packaging.
Resolution Process: We will assess the damage on a case-by-case basis to determine whether repair or replacement is necessary, a process which may take up to 30 business days. Replacements depend on current production and shipping schedules, and you may be responsible for return shipping costs.
Defective Products
If you believe your product is defective (distinct from transit damage), contact us within 48 hours with photos and a description of the defect. We will review and decide whether to repair, replace, or refund the item.
Third-Party Receivers
If artwork is sent to a third-party receiver, such as a warehouse, installer, or framer, please ensure inspection upon arrival. Any damage must be documented immediately with clear photos of both the damage and packaging, as ownership transfers to you once it is checked in.
International Orders
For orders outside the continental United States, Alaska, and Hawaii, please place your order directly by contacting us via email, as we do not process international orders through the website. Buyers are responsible for all shipping, duties, and associated international costs.
Limitation of Liability
Our liability is limited to the purchase price of the product, and we are not responsible for incidental or consequential damages.
Dispute Resolution
Disputes arising from this policy will be resolved according to our Terms of Use.
Posting Policy
Our return policy is clearly posted on our website and at the point of sale to ensure compliance with state-specific laws requiring prominent posting of return policies.
For questions or assistance, including reporting damages or issues, please reach out to us at marco@ma9.co. We are here to help and ensure you have a wonderful experience with our fine art photography.
Each product is custom-made specifically for you, making it unique and special. Therefore, all orders are final. We do not accept returns, nor offer refunds, exchanges, or credits for custom creations.
Quality Assurance
We use the finest archival materials, and each frame is hand-assembled to ensure exceptional quality. Every print is color-matched to the artist’s original file and fully authenticated.
Damaged or Incorrect Orders: If your order arrives damaged or incorrect, please contact us within 48 hours with photos of the shipping box, the damage, and your order number. We will work with you to resolve the issue, although returns, refunds, exchanges, or credits are not offered.
Handling Damages
While we stand by the quality and craftsmanship of our products, rare instances of transit damage can occur.
Reporting Issues: If your order arrives damaged, please contact us within 48 hours of receiving it. Include clear photos of the damage and packaging.
Resolution Process: We will assess the damage on a case-by-case basis to determine whether repair or replacement is necessary, a process which may take up to 30 business days. Replacements depend on current production and shipping schedules, and you may be responsible for return shipping costs.
Defective Products
If you believe your product is defective (distinct from transit damage), contact us within 48 hours with photos and a description of the defect. We will review and decide whether to repair, replace, or refund the item.
Third-Party Receivers
If artwork is sent to a third-party receiver, such as a warehouse, installer, or framer, please ensure inspection upon arrival. Any damage must be documented immediately with clear photos of both the damage and packaging, as ownership transfers to you once it is checked in.
International Orders
For orders outside the continental United States, Alaska, and Hawaii, please place your order directly by contacting us via email, as we do not process international orders through the website. Buyers are responsible for all shipping, duties, and associated international costs.
Limitation of Liability
Our liability is limited to the purchase price of the product, and we are not responsible for incidental or consequential damages.
Dispute Resolution
Disputes arising from this policy will be resolved according to our Terms of Use.
Posting Policy
Our return policy is clearly posted on our website and at the point of sale to ensure compliance with state-specific laws requiring prominent posting of return policies.
For questions or assistance, including reporting damages or issues, please reach out to us at marco@ma9.co. We are here to help and ensure you have a wonderful experience with our fine art photography.