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Crossroad

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Sofa In Room

Crossroad

$495
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A man walks in Grand Central Station, New York City, 2019.

I first encountered Giacometti's Walking Man during a college class on European history. Years later, I saw the sculpture in person at a retrospective at MoMA, arriving just an hour before the exhibition closed. My singular mission was to see Walking Man. I moved around it at a glacial pace, as Jerry Saltz once described how artists truly see artwork—pulling back to take in the impressionistic quality, then leaning in so close that I could examine the rectangular, sculptural brushstrokes made by Giacometti's fingers. A lone guard began inching closer, concerned by my focused intensity, but my smile eventually put him at ease. In that ashen bronze, I saw not just a man walking but a figure emerging from the fog of war—stepping out of Dresden, out of the Holocaust, out of the male-made wreckage of history.

I am deeply and obsessively drawn to the men and women of today as they walk the streets. With my camera and lens, this man in the photograph is not a symbol, an  abstraction, or a representational figure; he is a real person with a name, a life, a story. Looking closer, I realize that part of the painterly quality I aimed to capture here was to render the face as that of an unknown figure. And yet, his stride—the forward motion of his body—tells a more universal story, echoing Walking Man but grounded in the present.

I remember photographing fashion shows, learning to anticipate that brief, precise moment when a model's foot would shift forward into the next step. That awareness of movement—the sense of motion about to happen—became part of my photography, and it's here in this man's stride. A thousand years from now, a viewer might look at this photograph and wonder: Who was this man in the red tie, carrying this small brown bag in his left hand, walking through this moment in time? Just as we look back at men in heavy armor walking into battle centuries ago, future generations might ask, "Where is this man today? Where will he be a thousand years from now? What will he wear, what will he do, and how will he see himself? Will he still be here?

Can you guess, dear collector, the reference behind the title of this work, Crossroad?

Please click on the PASSENGER tab below to view the artist statement for the series.

PRINT INFO
Title: Crossroad
Series Title: Passenger
Year: 2019
Medium: Photography
Media: Archival Pigment Print
(Dye Sublimation Aluminum Print available upon request)

SIZES AND EDITIONS
Each artwork in the Passenger series is offered in two sizes, with rare editions for each. 

SIZE ONE - PRINT ONLY
Image Size: 16 x 20 in - 40.6 x 50.8 cm
Sheet Size: 17 x 22 in - 43.2 x 55.8 cm
Edition of 5

Size Two - Print Only
Image Size: 75 x 60 in - 190.5 x 152.4 cm
Sheet Size: 78 x 63 in -198.1 x 160 cm
Edition of 3 + 1 Artist's Proof
(Artist's Proof is not available for sale)

Each artwork is signed, editioned, dated, and titled on the verso. A certificate of authenticity will be included.

Explore the tabs below for details on FREE SHIPPINGEDITIONS, our RETURN POLICY, and precise FRAMING measurements.

CONTACT
For inquiries about the Passenger series, you can reach me at:
Email: marco@ma9.co
Tel: +1 347-772-9370 (New York City)